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发布时间：2022-05-09 14:40
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时间：2023-07-27 00:51
It is a famous designer of Denmark that Chinese would rather be full of trees, born to draw in Germany generally, is praised as Denmark's most remarkable design theoretician, the technical school in Copenhagen and Danish scientific and technological institute have studied him. In 1920, it becomes the independent architect in Copenhagen that Chinese would rather be full of trees, prosperous in that, he succeeded in designing in several houses, factories and rooms of two theaters. In addition, he also writes the article for several newspapers and periodicals, writes the stapstick, creates poems for the theater. Can be found out by his characters works, he is still a sharp society and building critic.
丹麦设计师汉宁森设计的“PH”灯具不仅是斯堪的纳维亚设计风格的典型代表，也体现了艺术设计的根本原则：科学技术与术的完美统一。这一设计早在1925年的巴黎国际博览会上，便作为与著名建筑师勒•柯布西耶的世纪性建筑“新精神馆”齐名的杰出设计而获得了金牌，并且至今仍是国际市场上的畅销产品。成为诠释丹麦设计“没有时间*的风格”的最佳注脚。
The Danish designer man would rather be full of trees " PH " lamps and lanterns designed are not merely the typical representatives of Scandinavian design styles, have reflected the cardinal principle of art design too: Science and technology and perfection of the skill are unified. This design, at international fair of Paris of 1925, as tying with the famous architect tight? Ke cloth century building " new spiritual hall " remarkable design that enjoy equal popularity and get gold medal of the west, and still best selling goods on the international market so far. Become and annotate the best footnote that Denmark designed " style without time restriction ".
一方面，从科学的角度，该设计使光线通过层累的灯罩形成了柔和均匀的效果（所有的光线必须经过一次以上的反射才能达到工作面），从而有效消除了一般灯具所具有的阴影，并对白炽灯光谱进行了有益的补偿，以创造更适宜的光色。而且，灯罩的阻隔在客观上避免了光源眩光对眼睛的刺激。经过分散的光源缓解了与黑暗背景的过度反差，更有利于视觉的舒适。在这里，科学自觉地充当了诠释“以人为本”设计思想的渠道。另一方面，灯罩优美典雅的造型设计，如流畅飘逸的线条、错综而简洁的变化、柔和而丰富的光色使整个设计洋溢出浓郁的艺术气息。同时，其造型设计适合于用经济的材料来满足必要的功能，从而使它们有利于进行批量生产。
On one hand, from the scientific angle, design this make light form soft even result (all light must reach working range through layers of tired lamp shade reflection one or more times), thus dispelled the shade that the general lamps and lanterns have effectively, and has carried on beneficial compensation to the light table of white heat, in order to create more suitable mere. Moreover, the separation of the lamp shade has avoided the stimulus to eyes of the glare of light source objectively. Having relieved the excessive contrast with the dark background through the scattered light source, the comfort more favorable to vision. Here, science has made the " human-oriented " design philosophy channel of annotating consciously. On the other hand, beautiful and refined shape-designing of lamp shade, smooth elegant lines, a intricate succinct one change, not soft and abundant mere make, design and is permeated with out the strong artistic breath while being whole of. Meanwhile, its shape-designing
可以说，科学与艺术的完美结合促进了“PH”灯具在世界范围的经久不衰。其成功充分说明了：艺术与科学从分离到靠近，进而实现优势互补不仅是时代的需要，也是两个学科各自发展的需要。对于以现代科技为依托的设计来说，其中的意义显而易见。科学不仅极大地拓宽了设计师的视野和想象空间，也从本质上为设计的实现奠定了物质基础。艺术与科学并非不可调和，而是大有潜力可挖掘。同时，只有勇于吸收对方的优势，加以合理地消化和吸收，才能创造出真正意义上的经典设计。
We can say, it is prolonged that the perfect combination of science and art has promoted " PH " lamps and lanterns in range of the world. It succeeds in fully proving: Art and science are from separating to nearing, and then it is not merely the needs of the times to realize the mutual supplement with each other's advantages, it is a need of each development of two disciplines too. To design taking modern science and technology as backing, the meaning among them is obvious. Science has not merely widened the designer's visual field and imagination space greatly, have established the material base for the realization that is designed from essence too. Art and science are not implacable, but can excavate to have great potentialities. Meanwhile, only dare to absorb the other side's advantage, digest and absorb rationally, could create the real classical design.
