诚请高手将中文论文摘要的翻译成英文
发布网友
发布时间：2022-05-13 18:37
共1个回答
热心网友
时间：2023-08-08 05:24
最后一段*为力，只能那样了！
Chuang
Tzu,
is
a
worldwide
renowned
ideologist.
He
is
not
only
a
profound
Chinese
philosopher,
also
a
famous
poet,
as
well
as
a
litterateur.
Chuang
Tzu
was
so
poor
ring
his
lifetime,
regardless
of
the
harsh
difficulties
he
ever
met,
he
miraculously
blended
his
imaginative
philosophic
style
into
the
fabulous
literature
and
created
a
unique
ideological
system,
which
passes
the
continuity
generation
by
generation.
His
thought
is
fully
saturated
with
profound
ideal
and
the
belief
of
anti-worldly
pursuits,
which
also
reveals
the
beauty
of
the
contradictory
philosophy
and
the
special
understanding
of
aesthetics.
I
suppose
that
it
will
be
the
best
way
to
study
his
“architecture
of
words”
to
appreciate
his
great
grand
ideological
system.
From
the
aesthetic
respective,
this
paper
analyzes
the
background
of
formation
of
his
thoughts
and
particularly
expounds
his
philosophic
structure,
the
aesthetic
appreciation
as
well
as
its
practice.
And
then,
it
also
involves
the
influence
of
the
Chuang’s
thought
upon
literature,
art
theory
and
aesthetics.
The
formation
of
his
linguistic
form
was
based
on
diverse
cultural
environment
and
source
of
theory.
The
contending
among
hundreds
of
Ancient
Chinese
Classics
in
Early
Qing
dynasty
really
helps
strengthen
his
elaborative
faculty.
And
his
outstand
philosophic
masterpiece
really
contributes
the
underlying
premise
of
other
relating
concept
and
philosophy
system.
<
Chuang
Tzu>
uses
considerable
space
specializing
in
the
underlying
question:
“Can
tell”
versus
“Can
not
tell”,
and
deeply
reveals
the
flaws
of
characters
in
expressing
certain
info
and
the
ridiculous
position
they
placed.
Chuang
claims:
the
meta-physical
and
meta-experiential
“Existence”
will
be
not
available
to
tell.
That
means:
whichever
can
tell
must
be
under
physical
spheres
of
knowledge.
The
most
significant
thing
he
really
concerns
is
how
to
transmit
the
so-called
“the
Existence
that
Cannot
Tell”,
how
to
let
theory
come
into
leading
power
and
how
to
create
an
ideal
“Spiritual
Harbor”,
for
human.
The
concept
“YAN”
dominates
his
theory
the
most.
And
“YAN”
has
certain
levels.
The
highest
“YAN”
is
“Forgotten
YAN”,
“Heartless
YAN”.
Taking
“YAN”
as
basis,
“Principle””
Beauty
“Meaning”
”Knowing”
as
mainstay,
he
expounds
the
highest
level
of
them
and
created
a
stereo-structural
of
aesthetics
which
based
on
the
con
combination
of
“Principle
and
YAN
””
Beauty
and
YAN
“Meaning
and
YAN”
”Knowing
and
YAN”.
He
strives
to
find
the
breakthrough
of
linguistic
form
and
propose
his
aesthetic
goal
of
“JI
YAN
JI
DAO”、“DA
MEI
BU
YAN”、“DE
YI
WANG
YAN”、“BU
YAN
ZHI
JIAO”.
SO,
Chuang
Tzu
opens
up
a
whole
new
elaborating
environment.
