音乐达人进~~关于一位外国歌手的相关资料!
发布网友
发布时间：2022-05-14 03:44
共3个回答
热心网友
时间：2023-07-31 20:18
一路上，麦蒂已经公布更多的第1号公告国家单打格兰比伟人像坎贝尔，基思怀特雷，欧内斯特塔伯， Wynonna或芭芭拉Mandrell ，仅举几例;更前5的比仙妮亚唐恩上， Faith Hill ，或在Judds ;和更前10的比里奇朋，查理富，约翰迈克尔蒙哥马利或德怀特尤肯姆。
麦蒂击中在1991年全国焦点。他只是在23日，该产品的乱七八糟的童年在福尔曼，阿肯色州。自称“流氓”作为一个年轻人，劳伦斯发现发布效果。他是在玩音乐jamborees 15日，在酒吧，唐克斯17 ，学习，他说， “如何才能使他们在舞池通过四，五集。 ”
他转移到纳什维尔1990年10岁的丰田花冠了，他说， “关于二十五点零零零万英里上，过期的标签，没有保险，只有三个汽缸和球迷有一张铁丝网围绕它来冷却赛车。 “他是一个巨大的风扇基思怀特雷， Waylon Jennings和梅尔里奥哈格德，他偶像乔治海峡，补充这些影响的赞赏南方摇滚，他知道了一个特殊的地方在他心中的酒吧- tonk观众。他还采取了一个国家的传统，然后找到其主要表现在兰迪特拉维斯。
劳伦斯通过要素，所有这些来源提供，他的惊人的声乐乐器-独特的国家，最先进的-他赢得注意从一开始。虽然工作的一系列副作用的就业机会，他进入歌唱比赛在镇上，定期赢得首奖。现场出现在肯塔基州广播电台和展示在纳什维尔著名的蓝鸟咖啡？ ？导致他1991年签署大西洋记录。
劳伦斯的首张专辑，棍棒和石头（ 1991 ）拥有4个前10名的国家访问，并把他推出的前列十年的年轻人才。记者称赞他的风格和球迷推销售相册白金认证。他证明了他的货物在路上也被命名为则无的最佳新旅游艺术家于1993年。
如果这还不够，他的第二张专辑，双铂借口（ 1993年） ，引发连续4 ＃ 1扣杀-标题削减， “不能打破它送到我的心” ， “我的第二家园”和“如果好夭折“ -并获得赞扬由强到世界各地新闻。 “这让我们过去的二年级厄运， ”劳伦斯说笑着。在1990年代中期，他是最发挥艺术家各类型。
四方的又一次重要访问上涨的铂我认为现在（ 1994年） ，其中包括“如果世界有前廊”和“德州龙卷风。 ”然后，劳伦斯触及创造性和销售高峰期的“时代*”的鲍比布拉多克写的重磅*，导致1996年的专辑同名的双白金地位和获得劳伦斯提名在所有主要的颁奖典礼。
劳伦斯的下一张专辑， 1997年的海岸是明确的，产生的商标击中“美好人，更好。 ”这之前，经验教训（ 2000年） ，发现这名歌手注入新的活力，他的国家的根源。这两种光盘获得极高的赞誉和保持劳伦斯的广播和目录销售加莫玛。
这是毫不奇怪，在过去几年劳伦斯已得到广泛承认：他被任命为Billboard的热门新男歌手在1992年，获得学院乡村音乐的顶新男歌手奖，一年后，他获得了国家黄金周选择奖'影像艺术家年度奖在1995年和其编辑选择铂选择冠于1996年，除其他荣誉。
劳伦斯产生了他自己和他人的工作，并共同写了一些歌曲，他的记录，其中包括“如果世界有前廊”和“无法打破它送到我的心” 。此外，他已经相当大的影响超出了唱片业。劳伦斯贡献的歌曲“迷阵，叛乱分子和流氓”的小牛配乐，并主演了两个线程特色之一，其中包括录像从普遍服务义务巡回看到他的部队在科索沃受理。他还联合制作了9个13歌曲内战：纳什维尔会议，收集创作的歌曲为百老汇剧院制作“南北战争：一个美国的音乐活动。 ”它具有特拉维斯Tritt ， Deana卡特痕量阿德金斯，凯文夏普，迈克尔英文， Trisha耶尔伍德和John贝里。
劳伦斯一直积极参与慈善事业，他每年的舵手两项活动是特别有意义对他说：回家音乐会在他的家乡资金的特雷西劳伦斯基金会和一个高尔夫赛事的得克萨斯州，使两地的特雷西劳伦斯基金会和当地的一章，阿尔茨海默氏症协会。劳伦斯的基金会捐赠的奖学金，以及最近提供资金，装备一所高中的计算机科学实验室，一个房间已经以他的名字命名。劳伦斯有助于提高100多万美元用于打击囊性纤维化;他参加了众多的筹款为圣裘德儿童研究医院;意识和资金用于飞机制造公司，一个非营利组织，提供受过训练的志愿人员倡导者*和忽视的儿童被在法律制度;和支持一个漫长的名单同胞慈善事业的知名人士和媒体通过演唱出庭，亲笔签名，拍卖项目捐款，和访谈。 “人们有责任互相帮助了， ”他说。 “我很高兴我能回馈社会，通过我的努力，筹集资金和提高认识的这些重要的原因。 ”
热心网友
时间：2023-07-31 20:19
去谷歌上翻一下，大概意思能懂。。
Tracy Lawrence is one of the premier voices of his generation, a sensitive and intelligent singer who continues to stretch both as an artist and as a person. Lawrence's dedication to honesty and respect for tradition have enabled him to build one of the most respected careers in recent country history.
Along the way, Tracy has posted more No. 1 Billboard country singles than greats like Glen Campbell, Keith Whitley, Ernest Tubb, Wynonna or Barbara Mandrell, to name just a few; more Top 5's than Shania Twain, Faith Hill or The Judds; and more Top 10's than Ricky Skaggs, Charlie Rich, John Michael Montgomery or Dwight Yoakam.
Tracy hit the national spotlight in 1991. He was just 23, the proct of a rough-and-tumble childhood in Foreman, Arkansas. A self-described "hellion" as a youngster, Lawrence found release in performing. He was playing at music jamborees at 15 and in honky-tonks at 17, learning, he says, "what it takes to keep them on the dance floor through four or five sets."
He moved to Nashville in 1990 in a 10-year-old Toyota Corolla that had, he says, "about 250,000 miles on it, expired tags, no insurance, only three cylinders and a fan with a piece of wire around it to cool the car." He was a huge fan of Keith Whitley, Waylon Jennings and Merle Haggard, and he idolized George Strait, complementing those influences with an appreciation for Southern rock, which he knew held a special place in the hearts of his honky-tonk audiences. He was also taken by a country tradition that was then finding its chief manifestation in Randy Travis.
Lawrence adopted elements from all of these sources, and his striking vocal instrument - distinctively country with a cutting edge - earned him attention from the beginning. While working a series of side jobs, he entered singing contests around town, regularly winning first prize. A live appearance on a Kentucky radio station and a showcase at Nashville's famed Bluebird Café led to his 1991 signing to Atlantic Records.
Lawrence's debut album, Sticks And Stones (1991) boasted four Top 10 country hits and launched him into the forefront of the decade's young talent. Journalists praised his style and fans pushed sales of the album to platinum certification. He proved he had the goods on the road as well, being named SRO's Best New Touring Artist in 1993.
As if that weren't enough, his second album, the double-platinum Alibis (1993), spawned four straight #1 smashes - the title cut, "Can't Break It To My Heart," "My Second Home" and "If The Good Die Young" - and earned raves everywhere from GQ to Newsweek. "That got us past the sophomore jinx," Lawrence says with a grin. During the mid-'90s, he was among the most-played artists in all genres.
Yet another quartet of major hits rose from the platinum I See It Now (1994), including "If The World Had A Front Porch" and "Texas Tornado." Then, Lawrence hit a creative and sales peak with "Time Marches On," a Bobby Braddock-penned blockbuster that led the 1996 album of the same name to double-platinum status and earned Lawrence nominations at all the major awards ceremonies.
Lawrence's next album, 1997's The Coast Is Clear, proced the trademark hit "Better Man, Better Off." It preceded Lessons Learned (2000), which found the singer re-energized by his country roots. Both discs earned critical praise and kept Lawrence's radio presence and catalog sales chugging along.
It's no surprise that over the years Lawrence has received widespread recognition: He was named Billboard's Top New Male Vocalist in 1992, garnering the Academy Of Country Music's Top New Male Vocalist trophy a year later; he earned the Country Weekly Golden Pick Awards' Video Artist Of The Year prize in 1995 and its Editor's Choice Platinum Pick crown in 1996, among other honors.
Lawrence has proced his own and others' work and co-wrote a number of the songs he's recorded, including "If The World Had A Front Porch" and "Can't Break It To My Heart." Moreover, he has had considerable impact beyond the record instry. Lawrence contributed the song "Renegades, Rebels And Rogues" to the Maverick soundtrack and has starred in two CMT specials, one of which included footage from a USO tour that saw him entertain troops in Kosovo. He also co-proced nine of the 13 songs on The Civil War: The Nashville Sessions, a collection of songs written for the Broadway theater proction "The Civil War: An American Musical Event." It features Travis Tritt, Deana Carter, Trace Adkins, Kevin Sharp, Michael English, Trisha Yearwood and John Berry.
Lawrence has always been active in charitable causes, and he is annually at the helm of two events that are especially meaningful to him: a homecoming concert in his hometown that funds the Tracy Lawrence Foundation and a golf tournament in Texarkana, Texas, benefiting both the Tracy Lawrence Foundation and the local chapter of the Alzheimer's Assn. Lawrence's foundation has endowed scholarships and, most recently, provided funds to equip a high school computer science lab, a room that has been named after him. Lawrence helped raise more than a million dollars for the fight against Cystic Fibrosis; he's participated in numerous fundraisers for St. Jude Children's Research Hospital; generated awareness and funds for CASA, a non-profit organization providing trained volunteer advocates to abused and neglected children caught up in the legal systems; and supported a lengthy list of the charitable causes of fellow celebrities and media outlets through live concert appearances, autograph signings, auction item donations, and interviews. "People have a ty to help each other out," he says. "I'm happy I can give something back to society through my efforts to raise funds and awareness for these important causes."
热心网友
时间：2023-07-31 20:19
